FRED MOTEN ANSWERS A QUESTION

Fred Moten. Courtesy: Letter Machine Editions; photograph: Kari Orvik

The poem is a recording        

an experiment in improvised choreography

The material of the poem is               performances

the necessarily fragmented               notes  

cut up

memories        scrambled      

to transcribe

the trace of those      performances

the juxtaposition of words

‘motion’ and ‘capture’

Other Dimensions of Music   

movements relation to confinement

the production of sound

bending and twisting              after

notes

his own firmly planted

to cross           over

quickening

of hands and breath

however weigh[t]ed down

wires, relays

his movement

writing

This phonochoreography

is concerned with a lot of the same

things

of a different order

autobiographies

all kinds of associations

of which I tried

to make room

for in the poem

however obliquely

back and forth

through music

I imagined a train        moving

the sound of a horn

how my mother told me what she thought it was

I thought about

I lived              called

fugitive

nocturnal

corresponded to

I wanted to imagine   

stolen collectivities

a poem

trying to work             this

tries to sound

move

old and new

constructs

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